Compositions ordinarily had little depth, and necessary to be versatile to squeeze on their own to the styles of capitals, and church typanums; The stress in between a tightly enclosing body, from which the composition occasionally escapes, is often a recurrent concept in Romanesque artwork. Figures still frequently different in size in relation fo

1 of such was the Lion of Belfort, a monumental sculpture carved in sandstone under the fortress of Belfort, which during the war experienced resisted a Prussian siege for over 3 months. The defiant lion, seventy three ft (22 m) lengthy and half that in height, displays an psychological excellent characteristic of Romanticism, which Bartholdi woul